gen next returns with his best ep to date - three lush detroit jams on big stricks 7 days ent label. highly recommended.

originally released on echocord on 27 august 2012

discos del quebranto kicks off with acid adventures from the börft legends, reigniting styrka studios with 4 jams of twisted techno.

following eps for creme organization and w.t. records, art crime delivers a four tracker of meltingly good music on pinkman records. chords cascade, blending and reforming, in the warming wonder of still life , dead carnation is from a similar place. keys skipping down scales, dancing down them as percussion lends a touch of weight. distant is the mood changer. rain falls, smoke whirls and the night descends in this dark and intoxicating encounter. but those clouds part for the close. lush pads and soaring notes break through for calming currents of the less than aptly titled hectic . an artist rewriting stereotypes, an ep of true quality.

mit zusammen mehr als 80 eps und lps im portfolio, seit 1995 stets mit grossem enthusiasmus von der fangemeinde aufgenommen, hat techno-koryphäe john tejada bereits einen platz im olymp der elektronischen musik sicher für einen der zu recht meistrespektiertesten produzenten der usa ist das ein produkt von zwei dekaden allumfassender leidenschaft. mit seiner aktuellen lakewood drive ep schliesst der in la ansässige tejada an den erstaunlichen langspieler signs under test (kompakt 321 cd 119) an, den er letztes jahr auf kompakt veröffentlicht hat bereits sein drittes album für das label. das neue material gibt sich robust, aber gelassen, ganz im sinne des energetisch-melodischen minimalismus, für den der künstler bekannt ist. dicht bespielt mit drei könnerhaft ausgeführten tracks, gebietet diese elegant verspielte ep selbstsicher über den tanzflur ein weiterer erfolg für den herren über kurzgeschlossene synthies und funkelnde beats

after a couple of essential releases under the pseudonym “epiphany” in labels such as ahd or semantica, damian schwartz is back with his second full length album. an incredible piece of work highly influenced by detroit and ny’s house and techno sound.

dean grenier releases rangeform on omnidisc. and its killer stuff! heavy driving tracks with an alienated feel. reminds a bit of gesloten cirkel.... which is always a good thing!

nach dem 6-track-minialbum math ilium ion anfang 2015 veröffentlicht der osloer produzent andré bratten, der neben todd terje, prins thomas und lindstrom, zur cosmic-disco-speerspitze des landes gehört, nun sein zweites full-length-album. gode ist ein eher dunkles werk, auf dem er einflüsse von arvo pärt, brian eno oder seinem landsmann biosphere verarbeitet, aufgenommen mit bandgeräten und unterlegt mit field recordings, modifiziertem piano, stringarrangements und sogar vocals (von susanne sundfor).

>flow motion< often is considered one of their more accessible releases - featuring the classic track >i want more< and the baleric title cut, cited by fsol, aphex twin, mars volta, and countless others as a major influence. 7 tracks, picture sleeve, 180g vinyl + mp3
-flow motion-, das achte studioalbum von can, wurde 1976 bei virgin veröffentlicht. das album ist stark von cans liebe zum reggae beeinflusst, der erste titel -i want moore-, fast ein disco-track, wurde als single ausgekoppelt und erreichte chart-platzierungen in deutschland und großbritannien.

- die lp erscheint als 180g vinyl inkl. mp3-download codes

credit
irmin schmidt - keyboards, vocals
jaki liebezeit - drums, vocals
holger czukay - bass, vocals
michael karoli - guitars, violins, vocals

shortly after his first ep on dnuos ytivil, sub-division of bristol imprint livity sound, simo cell, neo-parisian and nantes native, puts his second release out on fragil musique. on this one, the young producer asserts his bass-tainted electro influences. highly skilled and very technical dj, but above all open to bridges between genres and eras, the record feels like he conceived it for his own club usage. on the a side, two subtle twin tracks, -reading rashid- and -soko ban-. cycling melodies and hypnotic pads sketch two bass outlines, as simple as effective, that seem perfectly fit for switching from a stripped down techno track to an old jungle weapon. on the flip, hit track -meteor racer- is surprising. a rawer and more stripped down electro piece that lifts the veil a bit more on the young producers talent. those four brilliantly crafted track definitely place simo cell among the french newcomers to watch closely.

after bringing tears to glass eyes across the globe with the lovelorn beauty of oslo, nev cottee returns to aficionado with this 10inch beauty of spring promise. rather than the balladeer of his previous outing, this time round cottee stands inspired with the arcane knowledge of a prophetic troubadour, kaleidoscopic robes flowing behind him in the desert wind. at one with the cosmos, nev speaks the gospel from the heart, those warm vocals riding the swelling wave of soaring strings, frazzled guitar and undulating synth. driven by the percussive rumble of steady backbeat and lilting bongos, if i could tell you shimmers with the sun-blazed psychedelia of laurel canyon and the transcendent frequencies of summer madness before collapsing with a cascade of keys into a harmonic ocean all of its own. backed with the unadulterated healing frequencies of an instrumental version, this is another modern classic brought to you by manchesters finest selectors.

ten releases in and aficionado have firmly established themselves as the go to label for those seeking something soothing and sublime to raise their spirits or move their feet. now messrs moonboots & boardman turn the page on the next chapter in the nado story with the earthly delights of number 11. the wrapping has changed but the gift inside is the same, blissed-out beats and sumptuous melodies perfect for the dancers and the dreamers out there. for this latest release, our generous hosts invite a new star from the east to take us on a journey through textured sound and rhythmic pulse. a vision of panorama greet us shrouded in secrecy and the mist of the unknown, preferring to speak through music than idle words.

vinyl only! the fifth release on visionquest’s vinyl only offshoot features three hot licks from label stalwarts rework, the legendary konrad black and moreon & baffa.

tychos *past is prologue* has a storied history. the tracks began as sunrise projector, tychos 2004 full-length debut on gammaphone records, the record was then expanded and reissued in 2006 as past is prologue on merck records, and now, ghostly international is reissuing tychos original masterwork, re-introducing graphic designer / producer scott hansens musical universe: a lush, expansive imaginary landscape of sepia-toned keyboards, warm downtempo beats, and mile after mile of sun-dappled beauty.
the 2x12 inch vinyl comes in gatefold cover with download code included.

the a side contains the cut of n.phect called cascade. you can instantly hear that its light years ahead of the competition. like a bulldozer itll come at you only to change into hoover mode and fly over year head like your in the year 3060.

those who know the respected irish producer john daly for his bubbly, melodically nuanced house and techno tracks may get thrown off balance by his latest work under the smoke clears handle. while his 2011 release for further, sea level, hinted at his fondness for manuel göttsching/klaus schulze-like kosmische ambience, on listen daly veers off into more introverted and arcane abstraction terrain. the title track kicks off the album on a decidedly downtempo, contemplative note while maintaining dalys knack for understatedly beautiful melodies. it sounds like the best song morr music never released.

third sides infamous *shit on me*, taken from their first full-length release, *unified fields* is given a four-pronged remix ante up by some of technos more illustrious figures. virginia is back on duty with a fierce and hypnotic twist of jagged percussion and echoing sample blends, transforming the original into an obscure and minimalistic techno voyage, whereas morphosis injects his peerless swamp of sonic oddity under his ra.h moniker – reducing the original into a truly experimental six minutes of chilling effects, echoing percussion and irregular drum bursts…a true hardware show. on the flipside, marco shuttle tears up the beat into a twisting, bass-morphing machine stomp, replacing the originals drums and hi-hats with a mesmerizing cascade of sharp vocals and flickering note-repeats. finally, the elusive techno excursionists, xenogears give the original an ominous industrial edge, where harsh drum machine distortions meet long, dreary pads and cavernous vocal shots of the finest analogue calibre. techno restoration is back with a vengeance.

we are proud to present of electronique.it records second release. >the expression of emotions in man and animals ep< is the second part of a trilogy on vinyl dedicated to harles darwin studies. in this chapter we want to represent the relation between listening to various genres of electronic music and the emotional expressions arising from that. darwin theorized how body language, and in particular facial expressions, change and evolve in correspondence to perceived emotions. we believe that this theory can be transposed into music.
limited to 300 handnumbered copies.

nathan fake schlug mitte der nullerjahre mit seinen releases auf james holdens label border community ein wie eine bombe. sein clubhit the sky is pink im james holden remix definierte das neue genre neo-trance. der tune wurde von den groove-lesern zum zweitbesten remix des jahres 2004 gewaehlt, das darauffolgende debuetalbum drowning in a sea of love war für das mixmag das zweitbeste album des jahres 2006. fuer steam days zog sich nathan fake aufs land in norfolk zurück und kreierte mit seinen vintage-bandmaschinen nagelneues material, das wieder sanfte,melodische genuesse mit starken dancefloor-attacken vereint, und die technische professionalitaet des produzenten erneut unter beweis stellt.

panacustica’s fourth release is amongst cosmic metal mother’s finest work. “time is now” the track in question, defies definition by mastering a style on it’s own, by fusing elements echoing from prog-rock drenched with emotional content into an adult and contemporary way of delivering which is unique to the cmm writing style. the original is melancholic bliss. a vocal line at the center of the piece whispers words about oscar wilde and mr. death accompanied by a cello melody that grows bigger and bigger into an angelic cascade of notes. the track begins and ends in the most bare way with just a drum beat leaving you with the feeling you have just entered a loop where time is irrelevant. commodity place has the second cut of the a side. the duo from rome, known in the global underground of the vinyl tribes for their signature guitar style, chooses to call their mix “experience”, clearly paying homage to the gods of rock, delivering a guitar solo that will fire up your speakers and fill your eyes with the brightest psychedelic colors that we all so desperately need in this age of grey anonymity. the b-side is a full eight-minute mix by the man who needs no introduction and made us all dance since day one, larry heard, a.k.a. mr. fingers. his version is a fast “four to the floor” track, where a shaker drives the house beat into the melodic lines and voice borrowed from the original, making it one hundred per cent dance floor efficient with the modernity and mastery of his touch

there is a certain dynamic that emerges whenever andre galluzzi and dana ruh pair up to create a record. with last year s >freya / mauersegler< split ep on ostgut ton, the two have already hit up some of the most prestigious labels in the electronic music landscape. tracks that are upbeat, driving, and, most of all, fresh have characterized their co-productions, which now have aras as a home. taking its cues from their label nights at berlin s panorama bar, galluzzi and ruh have solidified aras into an imprint based around expanding upon the creative energy that both share. their first release, >trambolla<, harmonizes each artist s approach into a grooving whirlwind that showcases their ability as producers as well as live musicians.starting off with the title track >trambolla<, the ep begins with tribal beats and infectious arrangements that seamlessly build upon each other along the course of the a-side. grooving from the start, it is the kind of track where the listener or the dj gets into the vibe right away. the percussion of >trambolla< especially stands out amongst the latin-tinged bongos, hi-hats, and hand claps that interchangeably come in and out of the track, a journey of its own at 9 minutes. >thelema<, the b-side, contrasts with the lightness of the a-side and demonstrates galluzzi and ruh s equal comfort in creating darker and heavily pounding tracks. the ten minute track grows out of a simple beat and growls ever louder as it takes in more intensity with its cascade of filters, delays, and booming bass. aside from the hard edge of >thelema<, it also provides a preview into the live set that the two artists are about to debut together.

supplement facts records continue their rich run of form by handing a label debut to detroit-native lee curtiss. the >and we all fall down< ep has been one of the most hotly anticipated from the israeli label and is set to become the soundtrack to the last echoes of summer. we continue to dance, as the days grow short our nights become longer and lees ep is the perfect accompaniment….>i can hear you arthur<, a tribute to one of lees long-time music heroes, arthur russell, is an emotional escape. with russell being a direct sound-inspiration for the release, we are treated to a longing for a far away love. with waves of sound that build and cascade, accompanied by pillow-talk whisperings, all creating eight minutes of rhythmic, warm grooves. arthur never sounded better. after the body-swaying vibes of the a, side b brings the perspirec-electronic throb and hip-grinding action of labor of love. after yearning for arthur, we are more than appeased with the beautifully sultry and ever so intimate vocals of stephanie selvaggio. with its rhythmic guitar opening belying its true intention, labor of love develops into a sensual dancefloor cut with stephanies vocals floating effortlessly with the acidic beats as she drives us ‚crazy, and we all fall down is a perfect example of an artist at his most vunerable. its brutally honest sound invites the listener in with open arms and wraps itself around them like a warm cashmere blanket. as the brutal realisation that summer is almost over starts to sink in…its worth taking comfort in records like this, that make the transition that much easier.

meet desto. we found him wandering the streets of helsinki, eating canned tuna and drinking the water from a tin of hot dogs, desperately clutching armfuls of sticky future garage. starting off in spacey 2step rhythms, falling over bassline, and breaking down into an euphoric 8 bit cascade, the epic >disappearing reappearing ink< finally reaches wax after being in the boxes of pretty much everybody all year. on the flip, >broken memory< was given its first exclusive airing by oneman on radio 1 to much acclaim, and takes more of a straight up approach, and retains all of the fluid c64 chiptune beauty.
dj support from rob da bank, oneman, brackles, sinden, floating points, clouds, mary anne hobbs.

this new 12inch from domu is an essential taster of what is to come on his one offs, remixes and b sides double cd, out soon on tru thoughts. as well as the killer title track, the a side of the tasty springbreak 12inch also features the exclusive domu remix instrumental, from his remix of tickles by sun tzu sound - a highly anticipated nugget which has had forums buzzing with people who missed the limited pressing of the track first time round. on the flip you ll find a new mix down of the previously digital only domu release, something new, as well as the instrumental cut which is exclusive to this 12inch.

croatian dj ilija rudman is one of the nu disco scenes most prolific, yet underrated producers. with releases on bear funk, rong music and deep freeze he manages to cascade the electronic disco sound with his own unique production style. counting the likes of luminaries such as greg wilson, darshan jesrani and steve kotey as fans, the ever prolific rudman drops two fine examples of quality nu disco. in motion is metro area esque electronic workout while definition is a more incessant peaktime groove.

the house of god sends us paul to do some serious damage to the dancefloors around!

the fourth and final installment in the catz n dogz vinyl series has saved the best for last. sunset in the east is an epic opus, gradually unfolding in a cascade of warm toms, luxuriant ride cymbals, and assured sax stabs from their talented guests from dop. each new phrase ushers a fresh set of sonic delights into the frame, peaking with exultant proclamations from the saxophones. on the flip side, the white-hot guillaume & the coutu dumonts remix distills the track into the purest, most primal house music imaginable. his arrangement deftly remolds the sax sections to suit the tracks grand progression, gloriously blurring the lines between percussion and instrumentation

this third release is finally lead by its mastermind monsieur claude monnet.the pioneer of ethnic and exotic contaminations creates a sort of bridge between ancestral hypnosis of african tribal movements, haitian voodoo incantation and the third millennium dancefloors. a strong cascade of rhythm modulated by a deep and vibrant drum framing a mysterious dialog between an imaginary witch doctor and a persuasive feminine voice and bringing the listener in a state of trance able to carry body and mind away. monnets lesson sounds highly clear, few elements developed with masterful creativity and an unconventional dealing of music composition make at its best the real essence of house music. firmly balearic approach

japan meets greece on the new omega audio. nice peaktime techno tunes by axel karakasis, nine wall five, q hey + shin and spiros kaloumenos. for fans of primate, primevil and jericho

wheres my dongle is a masterpiece of depth and tones. electronic rhythms keep the backbone of this track strong while the synths and pad cascade over top. minimal yet maximum impact, this track is a smooth drive along beachy coastlines, and a super-tool for moving waistlines. palms studio mastery brings every element perfectly in balance with the arrangement working well on both dancefloors and living rooms alike. its no wonder loco dice used this as the opening track on their newest >time warp< mix compilation....disc 1, track 1

having released one of 2006s best eps >econoclast< on tunning spork, michal ho makes his junion debut with another hot 4 tracker..

christopher just looks back over his shoulder at the time when a bass used to be called a murderbass, bleeps were meeting clonks and techno was feeding the illusion of the everlasting party. dry beats, being swinged and pushed up cascade-like over the holy disco bass again and again, heralding - by sawtooth and an apocalyptic peal of bells - the ultimate party happiness. dj glow known from his always cool trust imprint delivers a great futuristic robot electro remix from outer space. crazy funky

2cd digipak , incl 20 booklet

travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album escape hatch described by vice as a modern masterpiece only hinted at the transcendent power of seahawks music. eternal beams goes further to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunderÉnuminous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraajiÉ flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.

Ôlillygood party!Õ is the brand new bbe compilation from highly respected swiss dj alex attias. taking its name from a party he runs in his native lausanne, lillygood has gradually evolved into a radio show and even a label, now on its 4th release. refecting the music he plays at the clubnight, Ôlillygood party!Õ is packed with funk, disco, deep house and boogie bullets from across the globe. Òthe idea is to present not only rare or difcult tracks to fnd, simply good grooves for people to play out, or listen to at home.Ó
from rare japanese disco gems, through spiritual jazz, to genre defying sounds from broken-beat cohorts kaidi tatham and dego, Ôlillygood party!Õ takes a unique trip inside the musical mind of one of dance musicÕs true nonconformists.
alex attias got his start in back in Õ88 playing funk, house, jazz, and disco, as well as producing under various monikers such as mustang, freedom soundz or beatless. moving to london in Õ97 he started his ÔvisionsÕ label and found himself at the epicentre of the emerging west london Ôbroken beatÕ scene which grew around his studio at goya. releases on people, planet e, ubiquity, neroli, archive and compost followed, as well as remixes for incognito, 4hero, ennio morricone, sun ra, art blakey, roni size and laurent garnier among others.

re-issue of the 1994 album by experimental electronica group the future sound of london. with time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.

nach dem 6-track-minialbum math ilium ion anfang 2015 veršffentlicht der osloer produzent andrŽ bratten, der neben todd terje, prins thomas und lindstrom, zur cosmic-disco-speerspitze des landes gehšrt, nun sein zweites full-length-album. gode ist ein eher dunkles werk, auf dem er einflźsse von arvo pŠrt, brian eno oder seinem landsmann biosphere verarbeitet, aufgenommen mit bandgerŠten und unterlegt mit field recordings, modifiziertem piano, stringarrangements und sogar vocals (von susanne sundfor).

von armin van buuren bis tiesto, von fedde le grand bis moguai und von hardwell bis sander kleinenberg - dieses doppelformat laesst keine fragen unbeantwortet, die der clubber von heute stellt! fuer diesen doppelschlag bleibt das trance/progressive genre die grundlage, obwohl hier ausgiebig wie effizient angereichert wird: mit house-, mit rock-, mit techno-sounds! dieses ding rockt die clubs!

a journey through the worlds finest house music